The creative ‘feel’ shared between these three neighbourhood friends is put on show in the album Sombralampa recorded in total improvisation in one take in a small room in Algés. Thie album's progressive music by Corpo Vício is a collaborations between Jorge Romão on lead guitar, Pedro Caldeira on bass guitar and André Clemente on keyboards. Jorge

The creative ‘feel’ shared between these three neighbourhood friends is put on show in the album Sombralampa recorded in total improvisation in one take in a small room in Algés. Thie album's progressive music by Corpo Vício is a collaborations between Jorge Romão on lead guitar, Pedro Caldeira on bass guitar and André Clemente on keyboards. Jorge switches with Pedro on the guitars and bass on a couple of tracks. Melodically laidback but carrying a punch explained only by the qualities attributed to a shared "sixth sense".

Drum parts and mastering are later added in 2013 by Argentinean master drummer Carlos and Lucas Parlato . Our thanks to Syke Lane Audio for re-mastering this project for a revamped re-release in 2021.

Long time collaborators Jorge R. and Pedro C. start the project in June 2009 and in response to a casting ad in the Blitz music paper, they meet Sara Maraval, singer and lyricist. Tulio Coelho takes up the drums soon after and Armando Gonçalves joins on the bass for a brief spell. From the first sessions a good creative chemistry becomes apparent

Long time collaborators Jorge R. and Pedro C. start the project in June 2009 and in response to a casting ad in the Blitz music paper, they meet Sara Maraval, singer and lyricist. Tulio Coelho takes up the drums soon after and Armando Gonçalves joins on the bass for a brief spell. From the first sessions a good creative chemistry becomes apparent and soon a collection of songs begins to emerge, such as “In the Dark”, which was entirely created in the dark. The group creates in improvisation, rehearses and records in a suburbian storage attic. The Attic Temples is a celebration of the attic space, which much like garages, are the sound churches where many bands first meet.

Diva of Man is the debut album of Light From The Future, in their lo-fi first pre-studio collection of JazzRock instrumentals. This is a rarity in that, it could have easily not have been recorded. These are ad-hoc recordings but it’s easy to miss the point - It’s like capturing some great gig at a venue somewhere and if it wasn’t for that “one

Diva of Man is the debut album of Light From The Future, in their lo-fi first pre-studio collection of JazzRock instrumentals. This is a rarity in that, it could have easily not have been recorded. These are ad-hoc recordings but it’s easy to miss the point - It’s like capturing some great gig at a venue somewhere and if it wasn’t for that “one person” recording it - something amazing would have been lost forever. No doubt that for the true music aficionado no matter whatever the quality of sound – good music will always be good music spite the heavy audio clipping, for the innate energy so elevating our minds to surf the sonic waves with each beat of a giant drum, weaving in and out of an electrifying guitar swelling in a matrix of chordal composition.

Much like two sides of the same coin, Jorge is the prolific author of the majority of all the SixtyNine Plugss musical tracks and Pedro takes on the challenge of providing the first lyrics for the project. It was not yet know the exact shape this would take but after writing the prose entitled ‘Sockets On The Wall’ he goes on to write most of the

Much like two sides of the same coin, Jorge is the prolific author of the majority of all the SixtyNine Plugs´s musical tracks and Pedro takes on the challenge of providing the first lyrics for the project. It was not yet know the exact shape this would take but after writing the prose entitled ‘Sockets On The Wall’ he goes on to write most of the band’s lyrics, a one off SixtyNine Plugs & The Flying Caravan book and the booklet - The Songs lyrics for a compendium of signature tracks by Jorge R. Ana Lúcia finds sanctuary in the punk culture and in the thrill of playing her Fernandes bass guitar. All tracks are remastered for CD in 2001.

This creative body of work, from the more traditional jazz to experimental and conceptual reveal the deep sensitivities of Pedro’s music composition. With mesmerizing rhythmic structures and melodies soaked in dark tones and bass line backdrops capable of standing on their own grove always looking for an outside’ feel’ often in tonalities in drop

This creative body of work, from the more traditional jazz to experimental and conceptual reveal the deep sensitivities of Pedro’s music composition. With mesmerizing rhythmic structures and melodies soaked in dark tones and bass line backdrops capable of standing on their own grove always looking for an outside’ feel’ often in tonalities in drop tuning. It´s a window into a musical soul created on tape between 1993 and 1994 in Portugal.

Pedro Avanah has been influenced by artists such as Jacques Brell, Leonard Cohen, J.J. Cale and Syd Berrett. Influences are always suigeneris as to not be perceived limited but on the contrary, are steps in the evolution of individual creative song composition. Add lib is used in parts on these 'one take' sessions. These are rare gems in that this

Pedro Avanah has been influenced by artists such as Jacques Brell, Leonard Cohen, J.J. Cale and Syd Berrett. Influences are always suigeneris as to not be perceived limited but on the contrary, are steps in the evolution of individual creative song composition. Add lib is used in parts on these 'one take' sessions. These are rare gems in that this body of work is 'interrupted', meaning that, a full studio recording was never made in this period. The art is 'in the moment' and this was captured in the 'act of doing'. Created on tape between 1992 and 1994. Re-released with drums parts and bass in 2001.